Review of The Constant Queen by Joanna Courtney, an historical fiction novel set in 11th century Europe.
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Synopsis
Based on the life of Elizaveta, Princess of Kiev and wife of Harald Hardrada, king of Norway. When an exiled Norse nobleman (Harald) arrives at her father’s court, Elizaveta agrees to keep his treasure safe while he goes out and makes his fortune. He returns several times, but always heads back out for more.
Over time, Elizaveta grows tired of waiting for Harald to marry her. She gives him the keys to his treasure and tells him to leave. On his way home, Harald grows increasingly morose and eventually returns to Kiev to win Elizaveta back.
Together, they return to Norway to claim the crown and build a stronger kingdom. Harald’s relationship with Elizaveta is passionate and tumultuous, and he occasionally turns to a childhood sweetheart for peace.
Review
The Constant Queen is my least favourite book in the Queens of the Conquest trilogy. The book skipped through time a bit quickly for me. I had trouble keeping up with what year we were in and how what was happening fitted in with what else was going on in the world.
There was too much focus on the romantic side of the story for my liking. I would have preferred more history and politics. However, it seems that Joanna Courtney decided to use romance and a love triangle to create intrigue. Also, as the story progresses the phrases used in the romantic bits become repetitive.
Of the three men who claimed the English throne in 1066, Harald Hardrada is probably the least known and the most forgotten. Afterall, unlike Harold Godwinson and William the Conqueror, he never actually got to be King of England. I enjoyed reading a book that looked at this lesser known man and the background to his involvement in the events of 1066.
I liked the contrast between Harald’s two wives. Elizaveta is fiery, rebellious, and independent whereas Tora is sweet, understanding, and steadfast. I appreciated how the relationship between the two women wasn’t used to create drama or move the plot forward. Sure, there is some initial subtle nastiness and power struggles between Elizaveta and Tora, but by the end they become friends and learn how to work together.
“Er, Lady Tora Arnasson, this is Queen Elizaveta.”
“Of Kiev?” Tora asked, taking a single step forward.
“Of Norway,” the dark girl said stonily, taking a mirrored step.
Elizaveta did not hold out her hand and for that, at least, Tora was grateful for she could no more have kissed it than she could a weed-strung toad. Instead, they both bowed their heads in a curt greeting, more for the eagerly watching Norwegians than each other.
“And how,” Tora asked, “do you find your new country?”
“Very agreeable,” came the swift reply, laced with an exotic southerly inflection, but Tora saw the edge of Elizaveta’s full lips twitch and knew she’d hit a nerve. Good.
Unfortunately, some of the characters are distractingly modern. Elizaveta’s strength has a distinctly feminist feel to it that doesn’t fit in with the historical setting. Also, the men generally seem unbothered by Elizaveta (and later her daughter) acting rebellious; I had thought 11th century men would try to supress such actions.
Conclusion
Have you read The Constant Queen? What did you think? Do you agree with what I’ve said about it? Let me know in the comments.
If you haven’t, you can buy it at Book Depository (they have free international shipping!) or Waterstones (free delivery on UK orders over £25, will ship internationally).
